How Sad I Am Today, by Ray Johnson (University of British Columbia) magazine created art in the blind

created art in the blind spots of state censorship

wie weltzugewandt experimentelles Schreiben sein und damit ins Herz des Sozialen und Politischhen vordringen kann

able as little else is both to delight and instruct

Side A: Xiu Xiu - Kitten Revolution

An introductory essay by Gillian Sneed situates Mayer within the New York art world of the 1970s and ‘80s and argues that Mayer’s public art anticipated more recent practices of site-specific and socially engaged art

How Sad I Am Today, by Ray Johnson (University of British Columbia) magazine created art in the blindThis catalogue accompanied an exhibition of the same name at the Morris and Helen Belkin Art Gallery in Vancouver, Canada from October 8 December 19, 1999. Michael Morris and Sharla Sava curated the exhibition. The exhibition explored Johnson's impact on Canadian avant garde artists: "Inspired by Johnson's mail art communications, Canadian artists including Anna Banana, General Idea, Eric Metcalfe, Michael Morris, Vincent Trasov and Peter Schuyff