Fall Tapestry — Framed Piece Mat:White The vine tangles in the

The vine tangles in the foreground are as carefully rendered as any forest floor detail

Glen rendered the jays' electric blue against the tawny copper of the oak leaves with the kind of chromatic confidence that only comes from painting the same birds

The composition is deceptively simple: white on white

the extraordinary reach of those wings: all of it is painted with the authority of long familiarity

watching the foraging behaviour that makes them one of the most resourceful mammals in their environment

Fall Tapestry — Framed Piece Mat:White The vine tangles in theA forest interior in peak autumn colour the viewer standing among the trees, not looking at them from outside. The branches weave across the canvas, each one carrying leaves at a different stage of turning: gold, amber, green, rust, the colours overlapping and layering as they do in an actual Ontario forest in October. This 1993 work is among Glen's most painterly and impressionistic the coloured pencil applied with visible energy, the marks building